29 August 2010

Little Virtual Mermaid

Is it still a tourist landmark if the landmark isn't there? Yes!

A friend of mine is living in Copenhagen. From a recent report on his blog:

This morning, we had an excellent, traditional Danish breakfast consisting of bread and things to put on bread. It's such a good culinary concept. Then, G drove me and E2 into Copenhagen. We saw where the famous Little Mermaid statue is usually. Unfortunately , it's on loan to China for the time being. In its place was a large television screen displaying a still photo of the statue. Hilarious.

This is a totally unoriginal thought, but here goes: we don't go to tourist landmarks because they are inherently interesting per se. We go because everyone else has gone. We go because the it occupies some greater status in culture and history--it's not a statue or a building but a Landmark, a gathering place, a site that is, like a celebrity, famous for being famous.

In this case, though, I think the television screen is probably more interesting than the statue it's temporarily replacing (if you're easily amused by irony and disappointment, that is). After all, to take a photo of the real deal is to capture what is probably the least-flattering of all not-so-flattering photos:

17 August 2010

The criminals in Paris are actually kind of charming

I'm writing the Paris chapter, and I had to cut this scene. So here ya go: an outtake!

E5D
is not an all-purpose guidebook. It doesn't have tips on avoiding lines or how to dress in various cultures or how to keep in touch with the folks back home. It also has no advice on avoiding that eternal anxiety of travel, street crime.

So when a guy near the Eiffel Tower tried to scam me, I made me an easy mark. Luckily, I had found the single most inept criminal in history.

There are a lot of scams that modern guidebooks warn you about, many involving methods of distracting you while an accomplice picks your pocket (watch out for someone “accidentally” spilling something on you) or trying to give you a great price on goods that are, of course, counterfeit.

Here's how the one that I saw works, in theory: as you walk down the sidewalk, someone a few steps behind you tries to get your attention. He's holding a gold ring or other small, potentially expensive object. “You dropped this,” he says (most likely in English). You tell him that, no, you didn't. He looks at it, as if for the first time, and is stunned—stunned!—to find a marking labeling it as pure gold or otherwise authentic-and-pricey. Then the benevolent soul tries to sell you this prestigious item for a price so low that you really can't afford to pass up the opportunity. He refuses to take no for an answer, badgering you until you give him some cash to go away.

And here's how this guy did it: as I was about ten feet away, walking toward him, he conspicuously dropped a ring on the ground. He looked up at me for a split second, nonchalantly—just lookin' around, being a normal person—then whipped his gaze back toward the sidewalk, gesturing theatrically, jaw dropping to his knees. He pointed. Mon dieu! What have we here?

“Excusez-moi?” he said shyly, looking at me again. “You have dropped zee ring, monsieur?”

“Nope. Merci,” I said, trying not to laugh in his face.

“No, no. You … have dropped ... eet.” There were odd pauses in his wording, as though he couldn't recall his script. “I have seen! I am … helping you. Oui?”

“Non.”

“Ah. Okay. You would like … to buy? How much … will you pay? You make an offer.”

“No, really. Not interested.”

“Non?” I waited for the hard sell, but he offered only a look of confusion, searching his mind for the follow-up line but coming up blank.

“Oh. Okay,” he sighed, and walked away. 

02 August 2010

Quote of the Day: The American Dream in three objects: the pill, the card, the book

"It's no accident that Arthur Frommer, the Pill, and credit cards are simultaneous phenomena. Everybody deserves everything. You only live once. Screwing for everybody and Europe for everybody too. This is the egalitarian key to a proper understanding of Europe on Five Dollars a Day."

-- Stanley Elkin, “The World On $5 a Day.” Harper's Magazine, July 1972.

27 July 2010

Chef Boyardee and the meaning of authentic cuisine

One evening in Florence, I had some bold journalistic investigations to undertake. I needed to eat pizza.

Before we go on, please take a good look at these Life magazine ads from 1956:

"Your first taste of Chef Boy-Ar-Dee Ravioli lets you know this is the true Italian dish."

"That's the way they serve pizza in Amalfi!"

In 1944, a New York Times article about a just-opened pizzeria led with this description of the exotic foodstuff: “One of the most popular dishes in southern Italy, especially in the vicinity of Naples, is pizza—a pie made from a yeast dough and filled with any number of different centers, each one containing tomatoes. Cheese, mushrooms, anchovies, capers, onions and so on may be used.” Gosh, sounds appetizing, doesn’t it?

Twenty years after that rather detached, straightforward description appeared, pizza was so commonplace that in the menu phrasebook section of Europe on Five Dollars a Day, Arthur Frommer offers not a translation but a wiseacre wink: “You know this one.”

Now, another fifty years on, I settled myself into a corner table at one of Arthur’s recommended restaurants—he claimed, “no surprises; no cover,” but surprise, Arthur, there was a two-euro cover—and ordered my own “pie made from a yeast dough” to see how it measured up. It was good enough, with the crust slightly charred from the wood-fired oven and the slight saltiness of the prosciutto perfectly balancing with the creamy mozzarella and the earthy depth of the funghi.

But here’s what struck me: it wasn’t as good—or as authentic—as the pizza I can get at either of two different restaurants in my neighborhood back home in Minneapolis. With their imported San Marzano tomatoes, artisanal toppings, mozzarella di bufala, and sea salt-dusted crusts, these are marketed as paragons of the authentic Italian cuisine. One restaurant is a member of Vera Pizza Napoletana, the official and famously strict arbiter of true Neapolitan pizza. Even the decor and menu design of those pizzerias back home are superficially more authentic, more Old World Italian than the restaurants I visited in Florence.

Today, some of Arthur’s and my mother’s comments about Italian foods seem nearly as naive and wide-eyed as that 1944 Times article. Arthur lists fettuccine and risotto in the vegetable section, for example; most Americans today would probably not just recategorize them but smirk at the accurate-but-not-entirely translations of these as “noodles” and “rice,” of gelato as merely “ice cream,” and of prosciutto as simply “ham.” Mom explained the concept of a trattoria to my father in one of her letters and waxed rhapsodic about a particularly exotic dish that I immediately recognized, having seen it on multiple restaurant menus back home, as saltimbocca.

Though Arthur and my mother undoubtedly had their own preconceptions of Europe, based on photographs, books, and previous tourists’ tales, the information available to them before their trips was paltry compared to what today’s information-overloaded travelers have at their disposal. Mom didn’t have a hundred different guidebooks and a thousand different web sites telling her what to expect. Italian food hadn’t become so commonplace as to be cliché, as evidenced by Wendy’s recent short-lived line of sandwiches marketed under the Italian-by-way-of-focus-group name Frescata or, most of all, Fancy Feast's gourmet cat foods, which include both Florentine and Tuscany lines, apparently intended for the sophisticated, citizen-of-the-world felines: “Romance your cat's taste buds with Fancy Feast Tuscany wet cat food recipes. Tuscany recipes are accented with long grain rice and garden greens.”

The fact is, in any given urban area in the United States today, you can easily find food that is more authentically Italian than that found in most cafes in tourist areas of Italy. That wasn’t at all true in 1960s America, where “Italian” basically meant cheap wine and gummy spaghetti, or the previously-mentioned Chef Boyardee. Most travelers of that era likely had not experienced even the watered-down, theme park version of Italian cuisine presented, today, by the likes of Buca di Beppo and The Olive Garden. Their expectations of Italian cuisine in Italy—of Italian culture in general—were not the same, not as high, as modern tourists'. Mom and Frommer and their peers couldn’t presume to believe they knew exactly what to expect, which was probably for the better. They didn't expect their pizza to taste a certain way; they weren't measuring the tourist cafe against the better Italian food back home.


Put another way--and this applies to more than just food--back then they were ignorant; today we’re delusional. 

One more 1956 Chef Boyardee ad for you: 

"Chef is the one spaghetti this side of the ocean that makes a special point of following old-country traditions."

24 July 2010

Bonjour, new readers

Hello, new readers who got here from World Hum, Kempt, and Wandering Italy. Thanks for stopping by (and thanks to those fine web sites for linking to my "the things we no longer carry" post; Temple Fielding was an interesting man ...).

More retro-themed programming coming soon.  I'll be posting about changes in food, for example, this coming Tuesday. Teaser:

 

While you're here, please take a moment to read some other posts. Start with the FAQ (and Frequently Sarcastic Answers) to learn what this blog is all about, and then check out the "essentials" section for some of my favorite posts.

Basically, this is a blog about the beaten path and how it got so beaten. Expect commentary on travel, tourism, and the chocolate croissants. This is not a place to find tips about how to avoid tourist traps. You can find those on every other travel blog. This IS where you'll find a unique perspective on the cliched tourist experience. Like these not-so-flattering photos of famous landmarks, for example.

A'ight? Okay, then.

Comments/complaints/compliments/croissant tips? Send 'em to doug@douglasmack.net. And thanks.

23 July 2010

Quote of the day: the cure for loneliness on the road

"And what if I became manic-depressive through an acute sense of isolation? Oh well, I comforted myself, I have resources: I talk to myself."

-- Rochelle Girson, Maiden Voyages: A Lively Guide for the Woman Traveler (1954)
 

20 July 2010

A single moment of air traffic: 1956 vs. 2010

Air traffic over the Atlantic at a single moment in 1956 (4:00 a.m. GMT, May 6).


[Accompanying text reprinted at the end of this post.]

I couldn't a comparable recent graphic, but I did find this 2008 video showing all global air traffic in a single day. (So for a direct comparison, you could pause the video to generate a "single moment"; I believe 4 a.m. GMT would be right at the start, actually.)


And here's all the air traffic over the U.S. (and slightly beyond) at about 4:30 a.m. GMT on July 18, 2010.



The top image is from Life magazine, June 18, 1956. The text below the graphic says:


The extraordinary future of international air travel is best foretold in the busy pattern of the present. The map above shows air activity during a single actual moment in the air over the Atlantic--a quiet moment, darkened by night. it is 4 a.m. on May 6, 1956 in London, 11 p.m. of the evening before across the ocean in New York. But though the scene is far from human habitation, the air is filled with the roar of big planes, and with the disembodied voices of pilots, radio operators and traffic controllers exchanging information.


There are 110 planes engaged at this moment in flying over the ocean. Of them 39 are military aircraft on regular training missions or engaged in carrying personnel and cargo to and from overseas bases. One is an oil company plane headed from New York to Amsterdam. The remaining 70 are transport planes belonging to 18 airlines engaged in flying passengers and cargo regularly across the Atlantic. Aboard them are 3,295 passengers and crew. 


Two facts about the chart show how much of the air age is an American achievement. Every plane shown here was made in the U.S.--by Douglas, Lockheed, Boeing. And U.S. airlines are operate almost as many of the commercial planes (34) as as carriers from all other nations put together. 


These lanes over the Atlantic are the busiest in the international air. But at this moment other lines operating out of the U.S. and Europe are sending planes on around the globe in opposite directions to meet in distant places and bind the world in a careful meeting of flight schedules. 

18 July 2010

Quote of the day: Arthur on the similarities of tourists

From a Money magazine interview with Arthur Frommer in April 1979:

Q: Do foreigners still think that Americans are obnoxious tourists?

A: Cartoons in foreign newspapers used to depict American tourists in loud sports jackets with cameras around their necks. That has changed, possibly because these days you see German tourists, for example, in lederhosen, wandering through Rockefeller Center with cameras dangling from their necks. Tourists are tourists regardless of their national origins. They are bewildered by their encounter with a new culture. They are not only unduly sensitive to acts of discourtesy but also ridiculously grateful for simple acts of kindness. 

(emphasis mine)

Click here for my post on the subject: Going Native in the Tourist Culture. 


16 July 2010

Don't go there

I. Must. Read. This. Book.























More info.

Also, The New Yorker's "Book Bench" blog, in an interview with author Catherine Price, claims that there's "a trend in anti-travel books" like this one. Uh-oh. Pleasepleaseplease don't let this peak before Spring 2012. My release date suddenly seems waaay too far off.

[UPDATE: Book Bench cites only two examples of this trend: (1) Doug Lansky's The Titanic Awards (published by Perigee, as my book will be!) and (2) this May 2010 article in the New York Times, the lead paragraph of which does indeed say that this season’s most interesting travel books have gone into staycation mode. But when you read the article, this turns out to be 100 percent false. The books are indeed about people who stay in one place--but in every case, it's an exotic place to which they've moved. By that definition, staycation lit includes A Year in Provence and Driving Over Lemons and Under the Tuscan Sun and A Moveable Feast. This sort of book is nothing new, I promise, even if you're desperate to find the timely angle. Note to the New York Times: if you go to a far-off locale, if you journey away from the place that you call home, that is by definition not a staycation. ... In other words, I don't think we have a trend. Yet. I hope.]